Man of LaMancha (1976)
[LaMancha 2004]
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Elm Street Jr. High School Auditorium
November 19-21, 1976
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Cast
In Order of Appearance
Captain of the Inquisition Norm Chapdelaine
Sancho Panza/Manservant Sally Trombley
Miguel De Cervantes/Don Quixote/Alsonso Quijana Francis X. Gardner
Governor/Innkeeper Marc Bouchard
Duke/Dr. Sanson Carrasco/Knight of the Mirrors Bill Nelson
Horses Bill Williamson and Roger Mailloux
Anselmo Stephen Robinson
Pedro Carlos Vargas
Jose Peter Chaput
Tenorio David Wood
Paco Eric Heath
Juan Bill Schultz
Guitar Player Yvette Grimes
Aldonza/Dulcinea Kathy Milbouer
Innkeeper’s Wife Trixie Lenzi
Fermina Maggie Clark
Antonia Diane LaFrance
Housekeeper Francesca Bosowski
Padre Tony Mallia
Barber John Baird
Moorish Girl Michele Cacace
Gypsies, Guards, Knights Ray Ellis,
Stanley Polan,
Wayne Vanier
Prisoners Carol Deschenes,
Joyce Adams
Orchestra
Conductor Kathy Cooney
Oboe Mark Maryanski
Clarinet Mark Hanlon
Trumpet Dan O’Donnell
Trombone Don Wallin
Percussion Ken O’Toole
Guitar Yvette Grimes
Flute Dorothy Fitch
Bassoon Nancy Shaw
Trumpet Bob Robbins
French Horn Lucy Robbins
Bass Richard Wharton
Timpani Gary Smith
Piano Lori Heath
Credits
Nashua Federal Savings and Loan Association
Nashua Telegraph
Nuttings Music Store
Saint Christopher’s Parish
Arts and Science Center
Duhamel, Inc. |
Production Staff
Production Coordinator Dan Pelletier
Dramatics Director John T. Liljeberg
Musical Director Kathy Cooney
Accompanist Lori Heath
Technical Advisor Elaine Duhamel
Production Secretary Kathi Laflamme
Assistant Nancy Ermala
Set Design Kay Kandra
Lighting Advisor Warren Tomasian
Lighting Design Bruce Tatro
Assistant Carol Farland
Sound Harold Goss, Michael McComas
Afterglow Carolyn Marineau
Properties Chairman Joyce Adams
Assistant Carol Deschenes
Posters & Program Cover Joan Rearick
Programs Joel Saren,
Linda Saren,
David Gidge
Collage and Pictures Bill Martyn
Tickets Chris Brunelle,
Jewel Shanahan,
Angela Tomasian
Window Displays Barbara Saffron, Wayne Vanier
Vocal Coach Dorothy Fontaine
Patron Chairman Albin Tamulonis
Membership Chairman Linnea Strickland
Auditions Susan Dumont, Chairman;
Jill Gidge,
Cathy Andruskevich,
Robert Narkunas,
Don Sisson,
John T. Liljeberg,
Kathy Cooney
House Lois Brunelle, Marion Crowley, Co-Chairmen;
Diane Albright,
Eliese Atkins,
David Brunelle,
Francine Brunelle,
Betty Callahan,
Laura Cartier,
Linda Chojnowski,
Carol Croatti,
Fernand Croteau,
Ellen Hatfield,
Anne S. Harvey,
Frank Harvey,
Kathi Laflamme,
Raelene Liljeberg,
Margot Long,
Anne Marie Marcella,
Walter Marcella,
Jennifer McKay,
Sandy Morin,
Janice Rockwell,
Michael Shanahan,
Natalie Vaskas
Make-up Susan Dumont, Kathy Porter, Co-Chairmen;
Patricia Irving,
Terry Bernard,
Sue O’Neill,
Claire Anderson,
Dody Slingerland,
Pearl Ware,
Giselle LaFrance,
Millie Wright,
Dawn Hardy,
Deborah McCaffery
Hair Design Ellen Johnston, Chairman;
Dorothy Bureau,
Judy Berry
Costumes Penny Tamulonis, Chairman;
Mary Vargas,
Raelene Liljeberg,
Ena Carraher,
Inez Martinez,
Carol Nadeau,
Ky Stratoti,
Terry Bernard,
Cynthia Solow,
Wayne Vanier,
Laura Cartier,
Ellen Hatfield
Set Construction and Moving Maurice Jennings, Chairman;
Henry Levesque,
Michael McComas,
Justin Crowley
Set Painting and Moving Joyce Adams, Chairman;
Carol Farland,
Carol Deschenes
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About “MAN OF LAMANCHA”
“MAN OF LAMANCHA” is not, strictly speaking, an adaptation of “DON QUIXOTE” at all.
It is an original work that deals with a crucial few hours in the life of Cervantes.
“MAN OF LAMANCHA” might most conveniently be described as a musical within a play,
but in truth its originality of form defies classification.
Miguel De Cervantes, aging and an utter failure in his varied careers as playwright,
poet, and tax collector for the government, has been thrown into a dungeon in Seville
to await trial by the Inquisition for an offense against the Church. There he is
hailed before a kangaroo court of his fellow prisoners: thieves, cutthroats and
trollops who propose to confiscate his meagre possessions. One of these possessions
is the uncompleted manuscript of a novel called “DON QUIXOTE”, and Cervantes, seeking
to save it, proposes to offer a defense in the form of an entertainment which will
explain himself and his attitude toward life. The “Court” accedes, and before their eyes,
donning makeup and costume, Cervantes and his faithful manservant transform themselves
into Don Quixote and Sancho Panza, proceeding to play out the story with the involvement
and participation of the prisoners as other characters.
Quixote and Sancho take to the road in a campaign to restore the Age of Chivalry,
to battle evil and right all wrongs. While Quixote and his squire are en route to a
distant roadside inn – which the Don insists to Sancho is really a castle –
Aldonza, the inn’s serving girl and part time trollop, is propositioned and taunted
by a group of rough muleteers. Upon arrival at the inn, Quixote, in his splendid
if lunatic vision, sees Aldonza as the dream-ideal whom he will worship and serve
evermore. Aldonza is confused amp; angered by Quixote’s refusal to recognize her
for what she really is.
In the country home which Quixote left behind, his niece Antonia and his Housekeeper
seek out the neighborhood padre to consider how this madness may best be dealt with.
The Padre and Dr. Sanson Carrasco, Antonia’s fiance, are delegated to pursue the
madman and bring him back home. Meanwhile, Quixote dispatches Sancho to Aldonza with
a “Missive” declaring his everlasting devotion to Dulcinea and while Quixote is
standing vigil in the courtyard of the inn in preparation for his official dubbing
as a knight, Aldonza accosts him directly, asking “What do you want of me?”.
The Padre and Dr. Carrasco, having failed in their mission, grimly plan a new attempt
to bring Quixote to his senses. The Padre hopes that “the cure will not prove
worse than the disease”. At this point, replying to Aldonza’s question about doing
the things he does, Quixote explains he must follow his Quest. Aldonza then
encounters the Muleteers loafing near the courtyard well, and they tease and taunt her.
Following the Padre’s and Dr. Carrasco’s departure, Quixote defends Aldonza’s honor
in a successful battle with the Muleteers, and as his reward is formally knighted
by the Innkeeper.
Now, having caught the fever of Quixote’s idealism, Aldonza attempts to put into
practice, but for her efforts she is cruelly beaten and carried off by the muleteers.
Disillusioned, Aldonza passionately denounces Quixote and his dreams, which have
brought her only anguish. Now appears “The Enchanter”, fantastically costumed
as the Knight of the Mirrors. He challenges Quixote to combat, forcing him to look
into the Mirror of Reality where Quixote sees reflected a fool and a madman. Quixote
is defeated.. but Aldonza, a witness to his destruction, feels a deep sense of loss.
At home again, the old man who once called himself Don Quixote is dying. His
faithful manservant, who has been his Sancho, attempts to cheer him up.
Aldonza, having followed, forces her way into the room, pleads with him to become
Don Quixote once more and restore the vision of glory she held so briefly.
As she helps him recall the words, Quixote, stirred to the old fire, rises from
his bed so that he, Sancho, and Aldonza may once more set out upon their mission.
But in the moment of reaffirmation, he collapses, dying. Aldonza, having seen
the vision once more, refuses to acknowledge Quixote’s death. When Sancho questions
her, she replies, “My name is Dulcinea”. Quixote, having considered her throughout
as individual of unique worth and value, has literally transformed her.
Back in Cervantes’ dungeon, the prisoners, dregs of humanity though they are,
have been deeply affected by his story and restore to him his precious manuscript,
and as he leaves to face his real trial, they unite to sing the words of Cervantes –
Quixote’s “The Quest”.
ANOTHER MILESTONE
In this Bicentennial year, The Actorsingers optimistically look to the future
with an occasional glance backward. It has been sometime since those early
shows at the Church of the Good Shepherd. For twenty-two years, this organization
has managed to produce two major musicals and one children’s show each
year; often not knowing where the time, staff, dollars or space would come from.
We take this occasion to tell you about our next milestone-a “home” of our own
where we can be together under one roof for rehearsals, meetings, drama and
music classes, costume storage, set design, and all technical phases of theatre
production.
The St. Joseph School Annex building on nearby Lake Street was made available
to us recently at reasonable cost and we plan to occupy this property by December 1st.
We look upon our headquarters as a community enterprise. We do not expect annual
drives but shall remain self-sustaining with your continued support and patronage.
Performances will remain here at the Elm St. Jr. High School.
However, as we strive to raise the capital funds needed to purchase this property,
please consider a personal donation of any size that will assist us in attaining
our $50,000 goal.
It is our constant hope to be a vital part of our community’s cultural scene and
to bring fine muscial theatre to the Greater Nashua area for many years to come.
Thank you for your continued interest in Actorsingers.
Lorraine Graham, President
Musical Numbers
Setting The common room of a stone prison vault in Seville, Spain, at the end of the sixteenth century.
Overture Orchestra
Man of LaMancha Cervantes, Sancho
It’s All the Same Aldonza, Muleteers
Dulcinea Cervantes, Muleteers
I’m Only Thinking of Him Antonia, Padre, Housekeepers
We’re Only Thinking of Him Antonia, Padre, Housekeeper, Dr. Carrasco
I Really Like Him Sancho
What Does he Want of Me Aldonza
Little Bird, Little Bird Cervantes, Sancho
Barber’s Song Barber
Golden Helmet of Mambrino Cervantes, Sancho, Barber, Carrasco, Muleteers
To Each His Dulcinea Padre
The Impossible Dream Cervantes
The Combat Cervantes, Sancho, Aldonza, Muleteers
The Dubbing Innkeeper
Knight of the Woeful Countenance Innkeeper, Sancho, Aldonza
The Abduction Aldonza, Muleteers
The Impossible Dream (Reprise) Cervantes
Man of LaMancha (Reprise) Cervantes
Moorish Dance Cervantes, Sancho, Gypsies, Moorish Dancer
Aldonza Aldonza
A Little Gossip Sancho
Dulcinea (Reprise) Aldonza
The Impossible Dream Cervantes, Aldonza
Man of LaMancha (Reprise) Cervantes, Sancho, Aldonza
The Psalm Padre
MAN OF LaMANCHA WILL BE PRESENTED WITH NO INTERMISSION
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Scenes
Various places in the imagination of Miguel de Cervantes
The prison vault
A road in La Mancha
Windmill Scene
The prison vault
The main room of a country Inn
The prison vault
A country church in La Mancha
Alonso Quijana’s house
The kitchen of the Inn
Dulcinea letter scene
The stable of the Inn
The Barber’s crown
Courtyard of the Inn
Knighting ceremony
Interior of the Inn
The prison vault
A road in La Mancha
Moorish Gypsy camp
Courtyard of the Inn
Confronting the Knight of the Mirrors
The prison vault
Bedroom of Alonso’s house
The prison vault
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The Actorsingers are very happy to announce that the Spring 1977 show will be
The KING and I
to be performed here, on May 6,7,8, 1977
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